The dynamics of literary response by Norman Norwood Holland

Cover of: The dynamics of literary response | Norman Norwood Holland

Published by Oxford University Press in New York .

Written in English

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Subjects:

  • Literature -- Psychology

Edition Notes

Book details

Statement[by] Norman N. Holland.
Classifications
LC ClassificationsPN49 .H64
The Physical Object
Paginationxviii, 378 p.
Number of Pages378
ID Numbers
Open LibraryOL5610028M
LC Control Number68017614

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The Dynamics of Literary Response book. Read 3 reviews from the world's largest community for readers. Reading a poem or a novel, seeing a play or a film /5(3).

Dynamics of Literary Response (The Norton library ; N ) Paperback – Novem by Norman N. Holland (Author) out of 5 stars 1 rating. See all 7 formats and editions Hide other formats and editions. Price New from Used from Cited by: : Dynamics of Literary Response (The Norton library ; N ) () by Holland, Norman N.

and a great selection of similar New, Used and Collectible Books available now at /5(8). Norman N. Holland (SeptemNew York City - Septem ) was an American literary critic and Marston-Milbauer Eminent Scholar Emeritus at the University of Florida. Holland's scholarship focused largely on psychoanalytic criticism and cognitive poetics, subjects on which he wrote fifteen books and nearly scholarly articles.

He is widely recognized for his scholarship. Additional Physical Format: Online version: Holland, Norman Norwood, Dynamics of literary response. New York, Oxford University Press, Find helpful customer reviews and review ratings for The Dynamics of Literary Response (The Norton library ; N ) at Read honest and unbiased product reviews from our users.5/5.

Anal, oral, phallic, masochism, primal scene ""I would say that the single most common fantasy-structure in literature is phallic assertiveness balanced against oral engulfment."" ""The final image of On the Road: urinating off the back of a speeding truck"" is a fine example of ""the urethral in literature."" And so it goes, another disciple of Papa Freud lighting the dark recesses of.

ISBN: OCLC Number: Notes: Reprint. Originally published: New York: Oxford University Press,   The Paperback of the The Dynamics of Literary Response by Norman N. Holland at Barnes & Noble. FREE Shipping on $35 or more. Due to COVID, orders may be : : The Dynamics of Literary Response () by Norman N.

Holland and a great selection of similar New, Used and Collectible Books available now at great prices/5(8). Open Library is an open, editable library catalog, building towards a web page for every book ever published. The dynamics of literary response by Norman Norwood Holland,Oxford University Press edition, in EnglishCited by: At its most basic, literary response paper writing is the crafting of a paper in relation to a work of literature (academic paper, poem, book, etc).

This sort of paper can be creative, but is often structured with a thesis - the paper aims to make some sort of argument, or provide some sort of insight into the text (i.e.

the literary work). Dynamics of Literary Response 作者: Holland, Norman N. 出版年: 页数: 定价: $ ISBN: 豆瓣评分. Reading a poem or a novel, seeing a play or a film, is a special kind of experience. Yet the essential nature of that experience has remained a mystery. Philosophers have discussed the writer's role, and critics the writer's craft, but there has been little disciplined inquiry into the relation of literature to people's minds--the way in which people re-create within themselves the literary.

Dynamics of Response. by Notterman, Joseph M. and a great selection of related books, art and collectibles available now at in at least a concise and, I hope, a helpful way "the dynamics of literary response." We shall, however, have to develop it further, for a number of things are missing.

Most important, we have been able so far to represent only the text, not the reader. If he appears at all, he is only the invisible agent of this "stretching" of a dis. Dynamics of Literary Response (Paperback) Average rating: 0 out of 5 stars, based on 0 reviews Write a review.

Norman N Holland. Walmart # $ $ 95 $ $ Book Format: Paperback. Paperback. Paperback. Qty: Add to Cart. Free Brand: Norman N Holland.

The Dynamics of Literary Response: By Norman N. Holland. New York: Oxford University Press, pp. has written an extremely well-organized and informative book on the 'literary experience'.

In attempting to explore the dynamics of the literary experience, the author displays a brilliant understanding of psychoanalytic insights and. Dynamics of literary response - Free ebook download as PDF File .pdf), Text File .txt) or read book online for free.

Reader-response criticism is a form of literary criticism which depends on the reader's response to the text. The theory even suggests that the text is impossible to exist without a reader. Reader-response theory recognizes the reader as an active agent who imparts "real existence" to the work and completes its meaning through interpretation.

Women Write Back: Strategies of Response and the Dynamics of European Literary Culture, – By Stephanie M. Hilger. [REVIEW] James Corby - - The European Legacy 17 (7)   The book response by Paul Volponi, reminded me of the outsiders.

It was a about a boy named Noah, an african american that lives in a mostly white town. He and two of his friends plan to steel a car from an all white neighbor hood, but people see them and take a baseball bat to Noah and his friends heads and Noah ends up with a fractured skull.

Fatema Mernissi and Islamic Feminism. Fatema Mernissi’s ( –) work explores the relationship between sexual ideology, gender identity, sociopolitical organization, and the status of women in Islam; her special focus, however, is Moroccan society and culture.

Reader-response criticism is a school of literary theory that focuses on the reader (or "audience") and their experience of a literary work, in contrast to other schools and theories that focus attention primarily on the author or the content and form of the work.

Although literary theory has long paid some attention to the reader's role in creating the meaning and experience of a literary. Plato In Book X of his Republic, Plato may have given us the first volley of detailed and lengthy literary criticism. The dialog between Socrates and two of his associates shows the participants of this discussion concluding that art must play a limited and very strict role in the perfect Greek Republic.

The scientific discovery that chaotic systems embody deep structures of order is one of such wide-ranging implications that it has attracted attention across a spectrum of disciplines, including the humanities. In this volume, fourteen theorists explore the significance for literary and cultural studies of the new paradigm of chaotics, forging connections between contemporary literature and.

Appendix A • Using Literary Criticism in Your Writing the reader as he or she reads, altering the reader’s experience and thus the reader’s when Norman Holland formulated the theory in The Dynamics of Literary Response ().

The German critic Wolfgang Iser ers read the same book, though readers can be trained to have. Literary response - In "The Wizard of Oz," Dorothy learns that being grown-up means being responsible for people other than yourself.

EDITED TO ADD: A literary response is usually in essay form. But it doesn't have to be. It can also be - a performance. a poem. a story (inspired by the book you read, or continuing the story) a letter to a character. Group dynamics plays an important role in establishing the culture of an organization.

It should be noted however, that team members in a given group will only give the greatest output if only the function of the crew is based on positive group dynamics. Focus on Reader-Response Strategies. Reader-response strategies can be categorized, according to Richard Beach in A Teacher’s Introduction to Reader-Response Theories (), into five types: textual Critical approach that emphasizes the text itself (relative to other forms of reader-response criticism); the text directs interpretation as the reader directs the text to interpretation.

Book Report/Literature Response Ideas Packet Monthly Book Report Schedule: You will need to read at least one chapter book to report on. The genre schedule is as follows: information about three of the book's literary elements -- setting, characters, conflicts, climax, or resolution.

Lastly, you will share your critique of the book. A literary response paper builds an argument about a text, using evidence to explain how the author uses characters, symbols, or other literary strategies to convey a message.

The typical length is pages (typed, double-spaced; with a minimum of 5 paragraphs), but it can be longer. SAMPLE RESPONSE PAPERS. Below is a collection of strong (and exceptionally strong) response papers from students.

All received high grades. They are good examples of insightful thinking and strong writing. I would especially encourage you to notice that most of them don’t have obvious organization; most of them let their ideas develop and wander. The Dynamics of Literary Response focuses primarily on the literary work as a system of fantasy and defensive transformation, while Poems in Persons shifts attention to reading styles.

Holland places particular emphasis upon the phases of bodily development in proposing a model for understanding the dynamic interplay between the core fantasy. Reader-response theory places the reader's interaction with the text as central to its understanding.

A reader interprets a work by drawing on his or her own experiences and supplying personal meanings. Thus, each reader's experience with a work is : Amy Burger. Reader-Response Theory: An Overview. Let’s begin with the famous opening from Jane Austen’s Emma ():“Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.”.

In that sense, all literary criticism would benefit from psychological wisdom. The better the psychology, the better the criticism. I started by saying that literary criticism is about books and psychoanalysis is about minds.

The reader-response critics and the brain scientists would add an important corollary to that. Reader response exercises and lists are other techniques that can be focused on any literary element. All of these activities can be done with the whole class, as an individual, or in groups. I think the gender dynamics were accurately described.

At the beginning of the book the men were respected as the head of the household and the authority, but as the story progressed and women came into their own right, women's voices were heard.

Christian spirituality is discipleship that is a positive response to the call of Jesus Catholic Book Club: Book reviews and literary discussion [Weekly] The first step in the dynamics of.

The Catcher in the Rye, novel by J.D. Salinger (). Its teenage protagonist, Holden Caulfield, recounts a few days in his life, showcasing his confusion and disillusionment.

Holden desperately searches for truth among the ‘phonies,’ which causes him to become increasingly unstable emotionally.Fred Weinstein’s book, The Dynamics of Nazism, was written from the view that “the inner significance of Nazism” has hitherto not been understood by scholars and so remains incomprehensible.The Dynamics of Genre and the History of the Book Leslie Howsam; Victorian Periodicals Review my own response is shaped by a particular academic identity—that of a historian committed to the history of the book This is a splendid explication of what book history has done to transform literary studies, and in particular literary.

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